One other approach to highlight the theme is through all the characters in a story, with each character representing an aspect of the theme, as in Godfather tales when the subject of electricity is introduced with each character representing another facet of power.
Fiction with its very definition is unreal. When we read a novel we are aware that the story and the characters in it are only a product of imagination of the writer. When we view a film we are aware that the characters are only acting their parts essentially pretending to be someone other than themselves. Still we’re mentally affected by the turns and twists in the narrative. We laugh with them, weep with them, and also sense indignant towards the bad men. The lovable hero or heroine might be despicable in actual life and the villain may be a perfect gentleman, but we identify them with all the characters they are portraying. In essence for this short period we get hauled to the imaginary world of the author. Oddly enough this happens also with the writer at least to a number of them. He or she goes through the very same emotions while writing and perhaps later as well.
And I am only talking here of direct references to proper names and names. There are also inferences which need to be created and known if the work is to be properly appreciated. By Way of Example, a woman complains about her philosophy course:
The two chief categories that literature most often gets grouped into is both nonfiction and fiction. This article will analyse the genre of fiction and that it must offer the author. At any time you begin to study something it is excellent to start with defining topic of study and in such a case that’s fiction. Fiction can be defined as story literary works whose content is made by the imagination and is not necessarily based on fact. In fiction the story or an part of it is always feigned, invented, or imagined. Basically fiction is just a made-up story. Most people would agree that fiction is generally of the more artistically inclined writer instead of nonfiction. Fiction can be utilized as a fantastic instrument to attain many different motives.
The first type is what I’ll call Fiction Enhanceable via Web, or FEBI for brief. The next is a Type of antithesis, the opposite – Fiction Not Enhanceable by Internet, or Non FEBI. An example of the first is Tripmaster Monkey by Maxine Hong Kingston; of this second, Mohawk by Richard Russo. I would surmise, without actually having any way of knowing, that there are nearly unlimited examples of each sort, therefore hence the examples I select here are wholly arbitrary.
We all may be players on the world stage, nevertheless the question remains why we reveal the psychological responses to the happenings depicted from the fiction, whether in print or visual presentation, just like in real life? Much like dreams our imaginations get presented to us over the mental screen as if we had been watching movies or television. And just as in dreams the actual world gets supplanted by the imagined virtual world although we are fully alert. That world still has great resemblance to the actual one and what happening in it appears real due to something shifting in our cognition school. However, the mechanism that triggers our emotional responses stays unchanged and therefore we respond to the fiction in the same way as in actual life. Ideally, just as with so many other aspects regarding read here, you will need to pay more consideration to some things than others.
But that can vary slightly, and it really just will depend on how you want to use the information. We really are just getting going here, and hopefully you will be excited about what more is in store. We are keeping the best for last, and you will be delighted at what you will find out. It is all about offering information that builds on itself, and we believe you will appreciate that.
It is not only a philosophical point either. We spend a considerable part of our own life from the imagined or fictional world. We muse about the things in future and dwell over the prior imagining what might have been. The imagination about the future is based on our hopes and ambitions and also to some extent it is a positive in the sense we’re in a position to mold our future if we sincerely try. But musing over the past is really a futile exercise because we know for a fact that ‘what could have been’ is only fantasy that never happened. Still it serves the exact same function as fiction in the point of view of amusement. We amuse ourselves by imagining how life would have been, knowing fully well that it has no fact whatsoever. In a metaphorical sense past, at least the distant past, is fiction. In a certain sense history is fiction since it always contains the subjective bias of the author. What we understand of Buddha and Jesus today is more fiction than facts.
An experienced and competent writer never pronounces what his subject is all about inside his story. For a story to be prosperous, its subject should remain invisible but hinted at with subtlety through other apparatus of fiction.
Theme is why fiction things, because it is the quality that provides the narrative a universal appeal. Some say motif is what the story is all about, but that is too ephemeral a definition, which might get confused with the idea or the plot.
If you read a great deal of sci-fi stories, you will have things to talk to people in conversations. You will often end up getting stuck in the midst of a dialog and do not know what to discuss when you meet new men and women. If you haven’t anything to talk about in discussions, individuals will find you boring. If you know a lot of stories, you can cite them to the new person you’re speaking to and this can arouses the dialogue. So, if you want to produce a lot of new friends, you need to attempt to read lots of stories. You can use excerpts from these types of tales to tell jokes or amuse friends and family. There are different approaches you can follow when storytelling.
“Knowledge is limited, imagination isn’t.” Albert Einstein explained that even though the wording of the next part could have been different. Einstein like any other human being was not infallible. A number of his views that he held right until the ending turned out to be wrong within the subject of physics. In this particular announcement he also seems to have it backwards. Knowledge might be limited in the case of someone but generally it’s infinite even when we consider just rational understanding leaving apart transcendental. Science in particular has demonstrated this at every step in the course of its development. Imagination pertains to a single thoughts and is constrained by numerous factors based on the situation of the individual. A mind can imagine only what relates in some way to matters already stored in it. Someone who has been outdoors a remote location in jungle and has no contact with the world outside cannot imagine what metropolitan cities are like.
Writing fiction is a bit like baking a cake. You will need the right ingredients in the right quantities, or it’ll turn out dreadful. For fiction, you will need the ideal combination of storyline, action, description and personality development to bring your story to life for your own reader.